Deur by www.kraaipromosies.co.za uit te kom, kan jy inskakel op die
kraairadio.
Dis 'n radiopotgooi waar slegs Afrikaans gepraat word, en slegs Afrikaanse
musiek gespeel word.
Anders as RSG, waar Afrikaanse musiek aan die agterspeen suig, en omroepers
met vreemde aksente in woorde praat.
In een vandaag ontvangen rondzendlijst (Taalpost) lees ik onder meer:
"Wie belangstelling heeft voor de soms erg frisse en kleurrijke
"Afrikaanse woordenschat, moet in de Digitale Bibliotheek voor de
"Nederlandse Letteren beslist eens het verzamelwerk 'Vroeë Afrikaanse
"woordelyste' (1971) van H.J.J.M. van der Merwe opzoeken. Dat bevat
"een aantal woordenlijsten, gepubliceerd tussen 1844 en 1908, met
"voornamelijk negentiende-eeuwse (Zuid-)Afrikaanse woorden. De
"inleiding geeft informatie over de auteurs en hun bedoelingen.
> Oom Paul, Barrister Ryan Smith, Dr. Lets Pretorious and his wife Minnie
> discuss the political situation in South Africa and the present and
> future of the Boer Folk and the Boer Folkstadt. The Radio Laer speaks
> on issues you will never hear from the mainstream media, aka The
> Ministry of Lies.
Why don't you first get your Afrikaans spelling in order before you
start a PR thing like this?
The English version of this show, "Defending the Caveman" is now the
longest running one-man show on Broadway. South African audiences
loved it when it was running locally and it played to sold out
houses night after night. I reviewed it at the time.
Koos Kombuis has now translated this into Afrikaans and I saw the
Afrikaans version at the Tesson Theatre, Civic Complex, last night,
where the house was respectably fully, despite Tuesday nights being
traditionally bad nights for getting full houses, together with a
short week and a new school term, all factors which keep people out
of theatres. It is drawing Afrikaners from far and near to come and
be entertained in their home language.
Of course, there is not much theatre available in Afrikaans, and
sadly, very little of our indigenous stuff is this quality. It is a
truly hilarious show and it works surprisingly well in Afrikaans
with a truly delightful homegrown feel to the insults and comments
that simply don't exist in the original version. It seems to be
naughtier and nicer this time round. Importantly, the Afrikaans is
of a fairly simple everyday use variety, and is accessible to people
who understand Afrikaans, but are not comfortable with declaring
themselves "completely bilingual".
The other thing that adds a lot of impact to the show is the
intimacy of the Tesson Theatre, where anyone in the first eight or
ten rows is able to feel "connected" to the cast.
Speaking about the cast, Hannes Muller is the one man in this
one-man comedy about men and women, and importantly, the differences
between men and women, and under the direction of Sandra Prinsloo,
he creates an entirely believable, and likeable character. Even
the women liked him. This may have had something to do with the way
he smiled or gently laughed at his own punchlines. One sensed that
he was enjoying himself as much as the audience was.
Nou die dag sien ek op TV nuus dat die gay partner van een groot-oud-SABC
gees sleg uitgevaar het teen ons land en sy mense. Hy het ons almal
uitgekryt as 'n nasie wat nie die lewe respekteer en geen waarde heg aan 'n
mens se lewe nie en belowe hy sal nooit weer sy voete hier sit nie en dat hy
terug gaan Amerika toe. Die SABC-man was dood geskiet in wat bleikbaar lyk
soos 'n roof in die huis langsaan die gay paar se huis.
Die Skotse manne dra rompe, en ons weet hoe gevaarlik dit is. So gevaarlik
dat hulle nie met rompies aan krieket of rugby speel nie.
In die lig van die nonsens wat JZ die afgelope week in die hof krytgeraak
het, is ek uiters verbaas dat ons dames hokkie- en netbalspanne nie deur
groepe mans ingewag word sodra hulle van die veld stap na 'n wedstryd nie.
Ek meen nou maar, as 'n rompdraende dame aan al wat man is verkondig en
seine stuur dat sy NOU reg en gereed is vir seks, vir wat sal die arme
belustige mans wag dat hulle eers gaan stort?
--
Groetnis
Annette